High Art

It turns out to be a familiar

struggle. Cold purity has its allure.

The single erotic curve across white

virgin surfaces; the disconnected

geometry disappearing into

a borderless infinity, away

from love, loss and muddling contingency.

Perfection of form banishes all thoughts

of the normal flawed sure disappointments

carried by failures of observation,

and rivalries of human endeavour.

Money coats the exclusive white on white,

the plain canvas is tasselled with chatter

and green shoots must crack open the surface.

 

So new means of escape from this waste land

of connection and need are found. Bestride

the world and turn the gaze on Babel’s babbling,

richness the fetish, shock of difference

becomes the place of worship;

only in the discovery of alien gods,

the crowning of neglected resentments

can stifling domesticity ascend

glittering platforms of celebrity.

Money coats the tapestries of travel

and sits above clouds far beyond the dreams

of designer trainers and digital

thumb prints, powder puffing its cheeks with sneers.

 

Turn again to the pastoral idylls,

watching the evening sun lift the starlings

to exuberant geometries of flight.

Glory in the leaf”s floating fall, the sea’s

rolling rage, and the herd’s mute acceptance.

Hide in the forests from the predator’s

killing looks, from the barbed teeth of friendship,

from the strutting certainties of defeat.

Money coats the pasture, wood and hedgerow

and drives the young off to urban squalor.

The gates are closed to all but gardeners

and domestics, and 4×4’s roll out.

 

Abstract purity, the exoticism

of the squabbling world, or the backward glance

to the sunlit vales of locality

have to meet modernity’s tidal wave.

For now, sensation and shock may divert,

set out before us on cash filled platters.

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